writing advice – Page 3 – Christopher Wink

01:05: YA Author Blair Thornburgh

Blair Thornburgh comes from “book people, going back generations.”

The author of the 2017 Young Adult Fiction novel “Who’s That Girl” from HarperCollins, she says there is a saying around her family. Never give a Thornburgh a book — or you’ll be forced to sit there politely while they read it in front of you.

She’s just 28 but as an editor at beloved novelty publisher Quirk Books and in the midst of a two-book deal with a major industry powerhouse, she has some insight.

The author of two books, an editor on several others and working on her next novel, she reminds us that the joy of a book is that, as author, “you’re making a promise to the reader” and want to deliver.

Continue reading 01:05: YA Author Blair Thornburgh

01:04 Comedian Todd Glass

How does a joke writer take a punchline from a voice memo to a major Netflix comedy special? Let’s ask celebrated standup comedian Todd Glass.

In the fourth episode of the first season of the weekly Writing Process Podcast, I discuss that among many other methodologies from a man who doesn’t quite consider himself a writer. Todd’s perspective is unique: he grew up with several learning disabilities, so his relationship to writing is far different than others.

Continue reading 01:04 Comedian Todd Glass

01:03 Rapper Chill Moody

As hip hop became a global, cultural force, the definition of rapper has stretched.

But its origins, as a cornerstone of live events, remain very much alive in people like Chill Moody. A native of West Philadelphia, Chill is an effortless emcee on stage and fiercely proud of his lyrics. Though he grew up in the economically distressed (though by no means monolithic) Overbrook neighborhood, Chill excelled academically and came from a supportive family — his real name is Eric Moody but since he was always at ease, he earned a lifelong nickname. As a much-beloved underground artist, he uses music as a storytelling platform, for his experience and those like him.

Continue reading 01:03 Rapper Chill Moody

Do not save writing for later, more will come: ‘The Writing Life’ by Annie Dillard

‘The Writing Life,‘ a 1989 collection of essays from novelist Annie Dillard, is one of the foundational contributions to the canon of teaching modern fiction writing.

A few months ago, I finally tore through the tidy, celebrated, delightful little book, commonly known as the friendly, fiction alternative to the 1920 grammarian guide from Strunk and White. (Interestingly a New York Times book review took a dim view of her collection, but it’s cherished today.)

Continue reading Do not save writing for later, more will come: ‘The Writing Life’ by Annie Dillard

You’re going to get criticized. Learn when to listen.

One effective way to divide the kind of criticism you’ll get for your work is to split the feedback between that which comes from someone who has done the work you’re doing and that which comes from someone else.

It doesn’t necessarily mean one category will always be effective or helpful or productive or not. Those are further distinctions. But when I’m receiving critical feedback — on something I’ve written or presented or shared — often the first check I make is that one.

Continue reading You’re going to get criticized. Learn when to listen.

Here are some things I’ve learned about being a better writer

For its age and influence and subjectivity, writing is one of those crafts that require great study and practice, though they don’t guarantee success alone.

The ordering of words has always been a great love of mine. I’ve been writing at length for as long as I can remember in whatever medium I could find. I’ve spent the last 10 years developing my news writing form, a tradition I have great pride in. However I’ve tried to keep developing my creative storytelling instincts too — fiction being a complimentary but wholly distinct offering from the nonfiction I know best.

Here’s some of what I’ve learned. (I continue to update this post, though I also have bigger ideas here)

Continue reading Here are some things I’ve learned about being a better writer

National Novel Writers Month #NaNoWriMo advice

Writing and editing are two separate acts. The old joke goes that you ought to write drunk and edit sober for a reason. One is about discovery and the other is an exercise in concision.

One reason I like the idea of National Novel Writers Month, which takes place each November, is that it is a clear call for writers to write now, and edit later. Since 1999, thousands of writers have written 50,000 words of a novel draft — about 1,600 words daily. With a simple novel concept, I participated back in November.

Since then, I’ve had a few discussions with friends about the process. I thought I’d share those simple thoughts here.

Continue reading National Novel Writers Month #NaNoWriMo advice

25 things I learned from the best newspapermen (and women) around

john-rosenfield — Dallas News reporter John Rosenfield sitting at desk, behind typewriter in Houston, TX in November 1948. Photo by Michael Rougier for Life magazine.

Tradition matters to me.

It gives us culture. It is a way to pay remembrance for those who came before. Yes, it’s a little bit fun.

In the world of news, there is a lot of tradition that needs to be lost. Unquestioned impartiality, balance without real context, an ignorance and distance of what funds it, a rigid belief in a strictly reactionary audience.

But, I’ve always felt, there is lot to be taken in from the past. I’ve been blessed to work alongside some talented and hungry older journalists who have imparted great wisdom on me. I thought some of that tradition was worth sharing as, in my own way, I try to preserve the best of it.

Below, find 25 pieces of advice about being a newsman that I take great value in.

Continue reading 25 things I learned from the best newspapermen (and women) around